SUDHA BHAVANA
PART-I
TATI UGHDHA JANESHWARA
The Making of a Yogi
by Muktabai
Sant Muktabai
Bhagavan Nityananda frequently emphasized Sudha Bhavana (Pure Intention), often mentioning it alongside Nirmal Maan (Pure Mind) or Vishal Maan (Expansive Mind). Devotees would commonly hear expressions like “Bhavreeee” to highlight its importance. Yet, knowing Bhagavan, it’s clear he intended something deeper than simply “doing good” or “feeling good.” According to him, any true Sadhana requires a purified Bhavana as its foundation. Only through Vairagya (detachment) and the fire of Tapas (austerities) can one’s Bhavana be refined to its essence—pristine, like pure gold. Without such purity, all practices remain incomplete, and the ultimate goal—moksha (liberation)—becomes elusive.
Through years of contemplation and learning from other direct devotees, I’ve gained a glimpse of what Bhagavan may have intended by Sudha Bhavana (Pure Intention). Understanding Sudha Bhavana is no small task, and I’m well aware of my limitations, lacking the necessary depth and authority to undertake such a profound topic fully. However, I was fortunate to spend my childhood with Bhagavan Nityananda and to receive the blessings of direct devotees like Shree Janananda Swami, Shaligram Swami, Govind Swami, Sadananda Swami (Padiyar Swamiji), Mabala Swami, Kuloor Swami, and householder devotees, including my parents, my grandfather Shri Devrai Pai, Shri Baburao Khade, Shri Vidyadhar Patil, and many others.
Recognizing my limitations, I share here only what little I understand. My first exposure to the deeper meaning of Sudha Bhavana came from the abhang “Tati Ugda Dnyaneshwara” by Shree Muktabai, the younger sister of Shree Dnyaneshwar Maharaj who describes at length The Making of a Yogi, in this Abhang. She too emphasises that the true Yogi should have Sudha Bhavana through these verses. I offer a brief background on the circumstances that led Muktabai to compose this abhang and the profound message she delivered within it on the true path and nature of a Yogi.
Jyandev Becomes Jnaneshwar: Muktabai’s Awakening Touch
According to the Nath tradition, Muktabai was the youngest of four siblings born to Vitthal Govind Kulkarni and his wife Rukmini, a devout couple from Apegaon near Paithan on the banks of the Godavari. Vitthal, well-versed in the Vedas, traveled on pilgrimages from an early age, eventually settling in Alandi, near Pune, where he married Rukmini with the blessings of her father, Sidhopant, a respected Brahmin. Later, Vitthal went to Kashi, where he requested to be initiated into sannyas by Ramananda Swami, hiding the fact that he was married. When his lie was revealed, Ramananda Swami ordered Vitthal to return to his family, breaking the order of sannyas and leading to their excommunication.
Out of this adversity, four children were born—Nivrutti, Dnyandev, Sopan, and Mukta—each destined for spiritual greatness. After the parents’ untimely death in Prayag, the children grew up as orphans, sustained by alms. When Brahmins refused to accept them back into the community, their virtues, wisdom, and the “Shuddhi Patra” certification eventually garnered them respect. Under their eldest brother Nivruttinath’s guidance, the siblings were instructed in Kundalini yoga and philosophy. In the Nath tradition, the siblings are revered as manifestations of the Divine, with Muktabai embodying Saraswati, the goddess of wisdom.
Muktabai became a guiding light for her siblings. Once, when denied a clay plate by potters, Muktabai expressed her profound insight in a song. She spoke of the Yogi’s path, where inner mastery and peace transcend worldly influences, leading one to a state of pure awareness or chidakasha. In her teachings, Muktabai emphasized that emotions such as ego, anger, and hatred are temporary, while inner purity is enduring. She advised that a Yogi must accept and transcend external trials to reach self-realization.
Muktabai’s influence on her brother Dnyandev was pivotal. During a particularly challenging period of rejection, she counseled him to embrace the scorn of others as a form of divine grace, transforming it into a means for liberation. Inspired by her wisdom, Dnyandev realized his divine nature or Parabrahma Swaroop, becoming the enlightened Sant Dnyaneshwar. To demonstrate the transformation, he knelt in yogic concentration, and as his back radiated intense heat, Muktabai baked bread upon it—a symbolic act of his inner awakening.
Muktabai’s Abhangas (sacred songs) remain timeless expressions of divine wisdom. They reveal the secrets of Maha Yoga, instructing seekers on how to transcend fleeting emotions and align with God. In the following sections, we will explore Muktabai’s teachings that initiated her brother’s transformation.
We will now go over the teachings of Muktabai, who initiated the transformation.
Stanza -1
Yogi Pawana Manacha,Sahi Aparadha Janacha ||1||
Vishva Raghe Jhale Vani, Sante Sukhe Vhave Pani ||2||
Shabdha Shastre Jhale Klesha, Santi Manava Upadesha ||3||
Vishvapat Brahma Dora, Tati Ughadha Jnaneshwara ||4||
When the mind has attained purity, how can you still take offence at others? Why burn with rage at the world? Would you not better become water? When their words pierce our hearts and hurt us, let us take them as their guidance. Weave the worldly fabric with the Essence and Open the Door, dear Brother!
1. “Yogi Pawana Manacha, Sahi Aparadha Janacha“
When the mind attains purity, do you still take offence at others?
This line questions the state of mind of a true Yogi, emphasizing that a purified mind, or pavana manas, no longer takes offence at others’ mistakes or hurtful actions. Muktabai suggests that a Yogi transcends personal grievances, seeing beyond others’ faults and weaknesses. In this state, the Yogi recognizes that reacting or holding onto grievances only disrupts their inner purity.
“The Yogi’s Bhavana (inner attitude) is one of equanimity, remaining unaffected by either praise or insult.”
2. “Vishva Raghe Jhale Vani, Sante Sukhe Vhave Pani“
Burning with rage at the world, would you not become like water?
Muktabai likens a person’s reaction to the world’s offences and provocations to the transformative quality of water. Just as water has the remarkable ability to absorb and cleanse impurities, a Yogi should transform their anger or resentment into understanding and compassion. Water represents the fluidity of a saintly mind—one that adapts without losing its essence, absorbing hardships without being tainted by them.
“The Yogi’s Bhavana (inner attitude) should be such that he remains unaffected by the world’s offenses, embodying compassion toward all.”
3. “Shabdha Shastre Jhale Klesha, Santi Manava Upadesha”
When their words pierce our hearts, let us take it as counsel.
Here, Muktabai addresses the pain or discomfort caused by harsh words or criticism. Instead of reacting defensively or with anger, she urges us to take these words as a form of counsel or instruction. This approach cultivates humility and an openness to learn, fostering inner peace. She warns against the distress (klesha) that arises when we engage in constant analysis or judgment of others’ words, instead suggesting a path of calm reflection and growth.
“The Bhavana of a yogi, as Muktabai teaches, should be one of humility and openness, viewing harsh words as opportunities for inner growth and remaining undisturbed by the judgments of others.”
4. “Vishvapat Brahma Dora, Tati Ughadha Jnaneshwara”
Weave the worldly fabric with the Essence and open the door, dear Brother!
Muktabai urges Dnyaneshwar (and, symbolically, all of us) to recognize the underlying essence—Brahma Dora, or the thread of divine consciousness—that runs through the entire world. To understand this unity, we must look beyond external forms and see the divine in all, an outlook that “opens the door” to deeper realization. For a true Yogi, the goal is to integrate this essence into every interaction, and every experience, thus weaving a life filled with divine presence.
“A true Yogi, sees the divine thread (Brahma Dora) in all, integrating this vision of unity into every interaction and experience – One in All.”
Essence:
Muktabai’s words here encapsulate the yogic ideals of purity, forgiveness, and spiritual perspective. She shows that purity of mind is reflected in Yogi’s ability to remain undisturbed by external negativity. Taking criticism as guidance, maintaining inner calm, and recognizing divinity in all allow one to experience the world as a seamless expression of the divine. By “opening the door”, Muktabai indicates a portal to self-realization, which can only be unlocked through these spiritual virtues.
Her message points to an aspirational state where one becomes like water—fluid, transparent, and nourishing, embodying the qualities of pure consciousness itself.
Stanza -2
Sukha Sagari Vash Jahala, Tyala Uncha Nincha Kai Tyala ||1||
Haho Apan Kaise Vhave, Deve Taise Karave ||2||
Aisa Natnatya Khelha, Sthir Nahi Ekha Vela ||3||
Ekha Pasuni Anekha Jhale, Tyasi Pahije Shambhalile ||4||
Sunya Shakshitve Samjhhave, Ved Omkarachya Nave ||5||
Ekhe Unchapani Gele, Ekh Abhimani Gele ||6||
Itke Takuni Shanti Dhara, Open the door O Jnaneshwar ||7||
Floating as you do in the ocean of joy, does it matter if the world looks down upon us? The way we regard ourselves is the way divinity will shape us. This play-acting goes on, never stopping for even a moment. The many forms and shapes here all arise from the one essence of Life. Are we not here to care for all of it? Realize It with alert awareness and cherish It.
This stanza from Muktabai’s abhang further explores the transient nature of worldly experiences and the path to inner peace through detachment and realization.
1. “Sukha Sagari Vash Jahala, Tyala Uncha Nincha Kai Tyala”
Floating as you do in the ocean of joy, does it matter if the world looks down upon us?
Muktabai refers to the boundless ocean of inner bliss, or sukha sagar, one experiences when attuned to the divine. In this state of joy and fulfilment, the judgments and opinions of the world—whether high or low—lose their significance. She reminds us that true contentment arises from within and is unaffected by worldly praise or blame.
The Bhavana of Yogi is such that he remains contented under all circumstances.
2. “Haho Apan Kaise Vhave, Deve Taise Karave”
The way we regard ourselves is the way divinity will shape us.
Here, Muktabai points to the power of self-perception and faith. She suggests that our attitude toward ourselves influences how the divine responds to and guides us. If we hold ourselves with humility and devotion, we open ourselves to divine grace; if pride or attachment fills our hearts, we create obstacles in our spiritual journey. She emphasizes aligning our inner state with divine virtues to receive divine blessings.
Then again, You are in your words, says Muktabai. The conversation that we have with ourselves makes us what we are! So a Yogi is careful of what conversations he has with himself. It is said “Apne ko dhyavo, apne ko pujo.” -mediate on yourself, worship yourself!
3. “Aisa Natnatya Khelha, Sthir Nahi Ekha Vela”
This play-acting goes on, never stopping for even a moment.
This line depicts the world as a stage of constant motion, where the drama of life, with its endless roles and situations, unfolds unceasingly. Muktabai implies that clinging to this transient play causes disturbance and prevents us from realizing our true, unchanging nature beyond these fluctuations.
This play is often called a Play of Consciousness. Play of Consciousness refers to the dynamic and expressive unfolding of the Divine within manifestation. In Vedantic and yogic traditions, consciousness is often considered the ultimate reality, pure and absolute. Yet, this consciousness doesn’t remain static; it “plays” by projecting itself into a variety of forms and experiences. This play is known in Sanskrit as Lila, where the formless consciousness appears to become diverse—expressing itself through individuals, nature, emotions, and actions—while ultimately remaining one and undivided.
A Yogi perceives the deeper unity underlying the apparent multiplicity, realizing that beneath all dualities lies the eternal, blissful dance of one Consciousness. This awareness transforms perception, guiding one toward liberation, where life is no longer seen as a burden or struggle, but as the joyful, self-expressive play of the Divine. Through refined bhavana, or devotional insight, the Yogi discerns the distinction between the seeming plurality and the One Supreme Brahman.
4. “Ekha Pasuni Anekha Jhale, Tyasi Pahije Shambhalile”
The many forms and shapes here all arise from the one essence of Life. Are we not here to care for all of it?
Muktabai reminds us of the interconnectedness of all existence, where diversity springs from a single source. Recognizing this unity, she calls for compassion and responsibility toward all beings, suggesting that seeing all as one inspires a caring, selfless approach.
The Yogi’s bhavana is rooted in the understanding that this world of plurality arises from the One, and thus he sees no basis for discrimination. His heart overflows with care, selflessness, and compassion for all beings.
5. “Sunya Shakshitve Samjhhave, Ved Omkarachya Nave”
Realize It with alert awareness and cherish It.
Muktabai encourages us to attain the wisdom of Sunya Shakshitva—the witness state of pure awareness that sees beyond dualities. Anchoring oneself in the ultimate, represented by Omkar (the primordial sound or essence), fosters a profound understanding that transcends words and doctrines. She points us toward a state of clarity and unshakable peace.
Bhagavan often spoke of Sunya and Mahasunya. The bhavana of a Yogi is to experience the One Essence—Omkar—pervading the entire universe, leading to a state of ceaseless peace.
6. “Ekhe Unchapani Gele, Ekh Abhimani Gele”
Some rise to great heights only to vanish, while others are swept away by pride.
In this line, Muktabai notes the fleeting nature of worldly success and the peril of pride. Those who rise through fame or wealth may quickly fall, as nothing external is lasting. Others, swept away by ego, lose themselves in their accomplishments. Muktabai urges us to see the transient nature of all worldly attainments and avoid clinging to them.
The bhavana of a Yogi is such that success and failure, rise and fall, hold no sway over him; he does not favor the rich or successful simply for their worldly status.
7. “Itke Takuni Shanti Dhara, Open the door O Jnaneshwar”
Drop all these notions, find peace, and open the door, O Jnaneshwar.
In her final line, Muktabai advises abandoning all worldly notions and illusions to embrace inner peace. By discarding attachment and ego, one can access the doorway to realization. Calling on Dnyaneshwar to open this door, she urges us all to shed these burdens and step into a state of tranquillity and higher understanding.
Essence:
Muktabai uses these verses to illustrate the yogic ideal of detachment from worldly roles and outcomes. She encourages us to see beyond the transient “play” of life and to recognize the interconnectedness of all beings, embodying compassion and responsibility. Only by relinquishing attachment, pride, and dualities can we tap into the eternal peace that lies within, symbolized by the invitation to “open the door.” In this way, Muktabai’s words serve as a guide to self-realization, pointing us toward the blissful awareness of our true nature.
Stanza 3
Vari Bhagva Jhala Namhe, Antari Vasha Kela Kame ||1||
Tyala Mahanu Nahe Sadhu, Jagi Vhithambana badu ||2||
Aphapna Shodhuni Ghyave, Vivek Nande Tyacha Save ||3||
Asha Dhambha Awaghe Awara, Tati Ughada Jneshwara ||4||
Do those who wear the robes of monks conquer worldly desires? They are not sages; instead, they often succumb to bodily passions, making a mockery of their attire. Let us introspect independently, and wisdom will become our companion. Let go of all hope and pretence, and open the door, dear Brother!
stanza 4
Sant tochi Jana, Jagi, Daya Shama Tyachya Angi||1||
Lobha Astha Naye Mana, Jagi Virakta Tochi Jana ||2||
Hye ParLoki Sukhi, Sudha Jyan Jyacya Mukhi ||3||
Mithya Kalapan Mage sara, tati Ughada Janeshwara ||4||
Do those who wear the robes of monks conquer worldly desires? They are not sages; instead, they often succumb to bodily passions, making a mockery of their attire. Let us introspect independently, and wisdom will become our companion. Let go of all hope and pretence, and open the door, dear Brother!
Ekh Apan Sadhu Jhale, Yer Kon Vaya gele ||1||
Uthe Vikar Brahmi Mul, Awaghe Mayechi Ghabal ||2||
Maya Samul Nurve Jevhan, Vishwa Brahma Hohil Thewan ||3||
Aisa Umaj Adhi Ananti, Magh Sukhi Vhave Santi ||4||
Chinta Krodha Maghe Sara, Tati Ughda Jneshwara ||5||
You attained wisdom; but did others waste away? Such thoughts are ripples that gather worldly storms in the mind. Rid your mind of illusions and see the world pure and simple. Let this truth accompany the beginning and end of every thought; then those who seek to find bliss eternal. Come, sweep away anger and anxiety and open the door, dear Brother!
In this stanza, Muktabai addresses the pitfalls of ego and illusion in the spiritual journey. She urges her brother, Jnaneshwar, to let go of the subtle ripples of pride and judgment that cloud one’s perception of the world. She advocates for a state of pure awareness, untroubled by the storms of worldly thoughts and emotions. Here is a detailed interpretation:
1. “Ekh Apan Sadhu Jhale, Yer Kon Vaya gele”
If we attain wisdom, does that mean others are lost?
Muktabai questions the subtle arrogance that may arise from spiritual attainment. She challenges the notion that one’s spiritual progress is somehow separate from the well-being of others. True wisdom, she suggests, includes compassion for all, seeing each soul as part of the same journey.
A Yogi is free from arrogance and does not look down upon others. He humbly accepts that all are on the same journey as he and all will finally reach the destination.
2. “Uthe Vikar Brahmi Mul, Awaghe Mayechi Ghabal”
Such thoughts are disturbances, gathering the storms of illusion in the mind.
Here, Muktabai identifies these divisive thoughts as vikar, or impurities, which originate from Brahmi Mul, the root of divine consciousness. Such disturbances, born of illusion (Maya), cause unnecessary turbulence in the mind, clouding the experience of inner peace.
A Yogi does not allow his mind to be disturbed by illusions and lose his peace. He keeps away from any short of discrimination.
3. “Maya Samul Nurve Jevhan, Vishwa Brahma Hohil Thewan”
When the illusion is uprooted, the entire world reveals itself as Brahman
Muktabai describes a state where, once the roots of illusion are removed, the world is perceived in its true essence—as Brahman, the ultimate reality. This vision frees one from dualistic views, allowing a harmonious understanding of unity in all existence.
Using his Vivek and Buddhi, a Yogi uproots all illusions from their roots and remains calm and equipoised.
4. “Aisa Umaj Adhi Ananti, Magh Sukhi Vhave Santi”
Such insight brings bliss and unending peace to those who truly seek it.
She teaches that genuine understanding (Umaj) of non-duality leads to boundless joy and peace. This clarity grants a person freedom from emotional upheaval, filling their heart with lasting tranquillity.
The Yogi sees One in All and thus experiences unending joy and peace.
5. “Chinta Krodha Maghe Sara, Tati Ughda Jnaneshwara”
Cast away all worries and anger, and open the door, dear Jnaneshwar!
In the final line, Muktabai implores her brother to discard all forms of anxiety and anger, which only serve to cloud the mind further. To “open the door” is to enter a space of inner clarity, peace, and realization of the Self, free from the sway of worldly illusions.
A Yogi is free from anxiety and anger.
Essence:
Muktabai’s message in this stanza encourages detachment from pride and dualistic thinking, as well as an embrace of compassion and unity. She invites Jnaneshwar to see beyond the divisive notions of “self” and “other,” realizing instead that the whole world is Brahman when viewed without the distortions of illusion. With this awareness, anger and anxiety naturally dissipate, opening the way to a life of deep, unshakable peace.
Stanza 6
Brahma Jaise Taishapari , Amha Vadil, Bhute Sari ||1||
Hath Apula Apana, Lage, Tyacha Karu Nahi Khedh ||2||
JhibDatani Chavile, Kon Bathishi todile? ||3||
Thor Dukhavale Mann, Pude Udhand Jahle ||4||
Chane Kahve Lokhandache, Magh Brhamapadi Nache ||5||
Man Maruni Unman Kara,Tati Ughda Jneshwara ||6||
Nothing stirs the Essence of life, and all living beings are elders to us; they do not harm us—it is only our own actions that affect us. Just as biting your own tongue doesn’t knock out your teeth, great suffering leads to greater wisdom. To ascend the eternal throne, one must face hardships with courage. Rise above the trivialities of the mind and open the door, dear Brother!
In this stanza, Muktabai imparts a profound understanding of resilience, humility, and self-discipline. She emphasizes how all beings, regardless of form or function, deserve respect, as they are part of the divine Essence. The lessons here challenge us to face life’s challenges with courage and compassion, recognizing that every hardship brings wisdom and strength. Here’s a detailed interpretation:
1. “Brahma Jaise Taishapari , Amha Vadil, Bhute Sari”
All beings are akin to Brahman, our elders in spirit, and harm us not.
Muktabai underscores the unity of all existence, reminding us that every creature is a manifestation of Brahman, the universal essence, and in this sense, they are our elders—worthy of respect. This line challenges the tendency to blame others for our difficulties, guiding us instead to recognize our shared divine essence.
A Yogi looks upon, not only human beings but all creatures as manifestations of Supreme Consciousness.
2. “Hath Apula Apana, Lage, Tyacha Karu Nahi Khedh”
Our own actions affect us; we should not lament them.
Muktabai encourages taking full responsibility for one’s actions, recognizing that suffering often results from our own choices. She advises us not to waste energy in regret but to learn from our actions and grow.
A Yogi does not pass the buck. He takes full responsibility for his actions.
3. “JhibDatani Chavile, Kon Bathishi todile?”
When you bite your own tongue, do you blame your teeth?
This analogy highlights how we often create our own pain, much like biting our own tongue by accident. Just as it would be unreasonable to blame our teeth, Muktabai suggests we avoid faulting others or external circumstances when we suffer due to our own actions.
A Yogi does not go for a blame game, finding faults with others or external circumstances whenever he faces failures.
4. “Thor Dukhavale Mann, Pude Udhand Jahle”
Great suffering deepens the mind, leading to wisdom.
Here, Muktabai reveals how suffering can serve as a transformative force. Through facing adversity, the mind grows stronger and wiser, becoming more resilient. She invites us to view pain as a teacher rather than an enemy.
A Yogi does not complain about the sufferings and adversities that cross his path; instead, he embraces them as opportunities to learn, grow, and transform, facing each challenge head-on.
5. “Chane Kahve Lokhandache, Magh Brhamapadi Nache”
One who can chew iron will dance upon Brahman’s throne.
Muktabai’s vivid metaphor illustrates the strength required for spiritual advancement. Only those who endure the toughest challenges with courage can reach the highest spiritual realization, symbolized by “dancing upon Brahman’s throne.”
The path is not for the weak and timid. The Yogi has such a strong faith in God that he remains fearless and strong.
6. “Man Maruni Unman Kara, Tati Ughda Jnaneshwara”
Conquer the mind’s impulses and open the door, dear Jnaneshwar!
In the final line, Muktabai advises her brother to master the fluctuations of the mind, as self-mastery is the key to inner peace and spiritual realization. She encourages him to overcome emotional reactions, such as anger and desire, which cloud awareness, urging him to open the “door” to his inner self.
A Yogi remains alert to the external onslaught and vigilant to inner emotional fluctuations.
Essence:
Muktabai’s words here highlight the path of resilience, self-accountability, and inner transformation. She teaches that real strength lies not in avoiding pain but in transcending it. Through humility, self-awareness, and mastery over the mind’s tendencies, one becomes ready for the spiritual throne. Muktabai’s guidance points to a life of courage, where even suffering is welcomed as a path to deeper insight, ultimately leading to a state of unity with Brahman.
Stanza 7
Haho Krodh Yave Kothe, Avaghe Apan Nigote||1||
Aise Kalle Utam, Jan Teychi Janardhan ||2||
Bridh BandhileCharni, Naye Davite Karni ||3||
Vele Krodhacha Ugavala, Avagha Yoga Phol Jhala ||4||
Let us embody joy and calmness, reflecting these qualities to soothe the world. Let us tenderly care for everyone, seeing all as our own. Let us touch hearts with compassion and eliminate hatred. Hold firmly to this path—the only way— in your mind and open the door, dear Brother!
lities can one truly follow the path of Yoga and spiritual growth. Here’s a detailed interpretation:
1. “Haho Krodh Yave Kothe, Avaghe Apan Nigote”
If anger arises, remember that all is one’s own.
Muktabai reminds us that anger stems from a sense of separation, from forgetting that everyone and everything is a part of the universal Self. When we recognize our unity with all beings, the impulse to harbour anger dissolves naturally. She suggests seeing all as “one’s own” to cultivate inner peace and universal compassion.
Yogi remains free from hate and anger as his Bhavana is such that it is one essence in all. Supreme Consciousness pervades all.
2. “Aise Kalle Utam, Jan Teychi Janardhan”
One who understands this truth is truly wise and close to the Divine.
Here, Muktabai implies that genuine wisdom is rooted in love, empathy, and patience. Those who embody these virtues are aligned with the Divine, as these qualities reflect the very nature of Janardhan, or God.
3. “Bridh Bandhile Charni, Naye Davite Karni”
One who has anchored their heart at the feet of the Divine does not falter in actions.
This line illustrates how those rooted in devotion and spiritual awareness remain unwavering in their actions. Anchoring oneself in the Divine provides the strength to act with stability, compassion, and focus, free from ego-driven motives.
A Yogi surrenders unconditionally to God with unwavering faith, devotion and integrity
4. “Vele Krodhacha Ugavala, Avagha Yoga Phol Jhala”
When anger arises, all progress in Yoga is undone.
Muktabai warns that anger can unravel one’s spiritual progress, disrupting the mind and causing one to forget the principles of unity and compassion. Yoga, or the path to union with the Divine, requires a calm, centred mind, and allowing anger to flourish can hinder this journey.
Yogi remains equipoise and does not is always proactive.
Essence:
Muktabai’s guidance here reflects the essence of self-restraint, compassion, and unwavering devotion. She illustrates the idea that true wisdom and closeness to the Divine arise from seeing all beings as part of oneself. In this state, anger has no place, as it only separates one from the Divine essence within each being. Muktabai encourages her listeners to foster love, patience, and rootedness in the Divine, recognizing that these are the foundations of a life in alignment with Janardhan’s (God’s) grace.
Ultimately, this stanza serves as a call to transcend anger and ego, grounding oneself instead in the qualities of peace and joy, which Muktabai suggests are the true reflections of divinity.
Stanza 8
Sukh Sagar Amhi Vhave, Jagha Bhode Nivwavw ||1||
Bodha Karu Naye Antar,Sadhu nahi Apaar ||2||
Jeeva Jeevasi Pai Dhyava, Magh Karu Nahye Hewha ||3||
Tarunopai Chinti Dhara, Tati Ughada Jneshwara ||4||
Where will anger find a quarter, when we are the world and one? Supreme is the realisation that people are our gods. Act if we cannot by it, then words are no more than dust. In the heat of the moment, tempers lost and lost is the poise we had asked for. So hold the world in your eyes and Open the door, dear Brother!
There are 9 comments on this post
Thank you for for your clarity and generosity in offering Muktabai's insights. Swami Muktananda always always reminded us to recognise the importance of the poet saints of Maharashtra.
Dear Milind,
Tulas Amma often uses the word Milind to describe how like a honey bee she remains at the Lotus Feet of Gurudeva. Much of her poems have been translated into English and hosted on this website as Sadgurusthavan.
Thank you for visiting the site and for your kind response. Yes, Swami Muktananada quoted Shree Dnyaneshwar Maharaj quiet often. Understanding of Sudha Bhavan is quiet demanding. I found much comfort on what Muktabai said to her brother. Soon I will share my further study. I am ordinary person with no background of any experience, reading of any scriptures nor I have attached to any spiritual organization. I have very limited knowledge and it is more from a householder point of view who finds himself as a kindergarten student in a spiritual school!
Your comments inspire me to further share the grace I received from Bhagavan. Thank you for your kind words.
In His Prem,
At His Lotus Feet,
I remain
Gopalkrishna
Dear Sir,
Please increase the font size for better readability.
Thanks!
Sure Udayji. I hardly get time to review my posts. Thank you for letting me know. I will do the needful.
🙏🏻🌼 ಓಂ ನಮೋ ಭಗವತೇ ನಿತ್ಯಾನಂದಾಯ 🌼🙏🏻
"Om, I bow to the divine Lord Nityananda." I am poor in software tech. I will ask my friend to look into it to make it good to read.
Thank you.
Gopalkrishna
No problem Sir, software is secondary but you are rich in content & devotion!
Om Namo Bhagavate Nityanandaya
Thank you,
Uday Kumar
Uday ji, There are a couple of ways for better readability. If you are on Laptop or Desktop press the keyboard button (Ctrl and +). this will increase the font size. Same way if you want to reduce the font size you can press the keyboard button (Ctrl and -). If you are on mobile or tablet you can just expand the screen by using your fingers. Hope this solves the readability issue. If you have more queries you can please revert. Thank you and happy reading :)
Yes Sir, in this method it controls overall browser window, but there's a tool used by many websites/Blogs which controls only the texts.
Try if possible, anyways it's manageable.
Thank you for spreading the highest knowledge!
🙏🏻🌼 ಓಂ ನಮೋ ಭಗವತೇ ನಿತ್ಯಾನಂದಾಯ 🌼🙏🏻